7

CV

Beautiful Data Dangerous DNA 2023 - 2024
Real Estate of the # - 2023

AWARDS / FUNDING / SPONSORSHIP

2022   RADF Regional Arts Development Fund Grant, (Qld Govt & Moreton Bay Regional Council)

 

 1989   Premier’s Arts Encouragement Award, Premier’s Department, Queensland Government
Art Research & Development Grant ANAT (Australian Network for Art & Technology)
Funding – NCGA  (The National Computer Graphics Association of America ) & CADRE (Computers in Art & Design, Research and Education Institute)

 

1988   Funding – ANAT (Australian Network for Art & Technology)
Project Funding – The Australian Bicentennial Authority
Project Funding – The Arts Division of the Premier’s Department, Qld Government
Project Funding – The Brisbane City Heart Business Association
Artists and New Technology Grant Australia Council

 

1986   Group Project Grant,  Australia Council
No Frills Fund Grant,  Australian Film Commission
Sponsorship by Telecom Australia and Visionhire Pty Ltd

 

1982   Exhibition Grant, Australia Council

COLLECTIONS

 

 National Gallery, Canberra
University of Qld Art Museum

ARTIST RUN INITIATIVES

 

1986     
O’Flate National Art Safari:
Praxis Gallery, Fremantle, WA
Experimental Art Foundation, Adelaide, SA
Australian Centre of Contemporary Art, Melbourne VICT
Chameleon Space,  Hobart TAS
Performance Space,  Sydney NSW
That Contemporary Art Space, Brisbane, QLD
1985     
O’flate Studios, Fortitude Valley, Brisbane, QLD
1984-83
One Flat Exhibit George Street Branch, Brisbane, QLD
1983     
Art Wonder Stories Magazine, Brisbane, QLD
1983-82
Art Walk Magazine, Brisbane, QLD
1983-82
One Flat Exhibit, Brisbane, QLD
1982     
Produce Art Project – Red Comb House, Brisbane, QLD

COMMUNITY DEVELOPMENT STRATEGIES

 

1999     
Workshop Co-ordinator / Artist , Double Happiness, Cross-Cultural Exchange China & Australia, The Arterial Group, Brisbane, QLD

EDUCATION

 

2015     
Diploma of Graphic Design, Brisbane, QLD
1997-1981
Studied Major in Sculpture + Minor in Film & Television at Queensland College of Art, Brisbane, QLD
 

CONFERENCES / FORUMS / PANELS

 2024
Panellist, Nowhere Fast: Creativity, Culture and DIY, WAG, Wooloongabba Art Gallery, QLD
Panellist, Nowhere Fast: Punk, Politics and the Police, WAG Woolloongabba Art Gallery, QLD

 

2019
Panellist, Radical Houses: Identity and public life in the Qld  House 1975-1989, Architecture and Art Week, Museum of Brisbane, QLD
 2016
Panellist, Ephemeral Traces Exhibition, Public Program, University of Queensland Art Museum, QLD

 

1991
Panellist, Flesh & Bones – Fringe Festival Forum, Brisbane, QLD
1990 
Panellist, Metrozone – Art in Public Places Seminar, Brisbane, QLD

 

1989 
Workshop participant, Creative Australia Conference, Adelaide, SA
Panellist, The Shaping of Teleculture – NCGA Arts 89 Conference, NCGA (National Computer Graphics Association), CADRE (Computers in Art & Design, Research & Education) Institute,  San Jose University California, USA
Panellist, Without Number Forum, Queensland Art Gallery, QLD

 

1988
Panellist, Networking in the Arts – FISEA (The First International Symposium on Electronic Art) Utrecht, Holland
Workshop participant, Information Systems of a City – Creative City Seminar, Melbourne
Guest Speaker, Forum Program, South Australian School of Art,  Adelaide, SA

 

1987 
Panellist, The Art of Untruth Simulation Artificiality, New Media Forum, IMA,  Brisbane, QLD
Panellist, The Politics of Space, Speakeasy Lunch Box Lecture, Queensland Art Workers Alliance Inc, QCA (Queensland College of Art), Brisbane, QLD
Panellist, Look Who’s Talking – Artemis Form – ARX’ 87 Australia & Regions Artist’s Exchange – Western Australia, Perth, WA
Panellist, Lost in Space, Speakeasy Lunchbox Lecture, Queensland Art Workers Alliance Inc, QCA, Brisbane, QLD
Panellist, ARX’ 87 – Lunchbox Lecture, Queensland College of Art, Brisbane, QLD

 

1986
Panellist, Art Practice, Professionalism, Art Funding & Institutions Forum, QCA, Brisbane, QLD
Panellist, Art Practices and Policy in an Era of Recession – Art(s) Now Symposium, Griffith University School of Humanities, Brisbane, QLD

 

1983 
Panellist, Alternative Art Spaces – Open Sandwich Conference, ANZART (Australian New Zealand Artist Exchange) Hobart, TAS

FESTIVALS

 

1994-93
Coordinator / Entertainment Co-ordinator Inala Multicultural Festival, The Icy Tea Theatre Company, Brisbane
1992-91
Co-ordinator / Artistic Co-ordinator, Paddington Community Festival, Brisbane
1992 
Artist,  Fiesta Car Painting Project, Valley Fiesta, Fortitude Valley Business Association, Brisbane
1991  
Artist,  Polymedia Car Constructions, First Fringe Festival, Brisbane
1991 
Entertainment Co-ordinator, The Sports Health & Leisure Expo, Brisbane

PUBLIC ART STRATEGIES / PROJECTS

2024
The City That Whispers and Dreams – underdevelopment
In the Real Estate of the # – underdevelopment
Beautiful Data Dangerous DNA – underdevelopment
The Wall – underdevelopment
2023-22
Boot Art – 1 2 3 4 5 6 7, Redcliffe, QLD

 

2021
Blackline Wallpaper, Instagram – ongoing
Inglorious Trash, Instagram – ongoing
2020 
Small Stuff in a Big World, Brisbane, QLD,  Instagram,
1988
Designer / Co-ordinator, InterFace Project, Australian Bicentennial Art Spaces Project, Brisbane, QLD
1986 
Designer / Co-ordinator, Outdoor Art Drive-In Project, Brisbane, QLD

GROUP EXHIBITIONS

 

 2023
The Trauma Project – underdevelopment
2023-22
Boot Art – 1 2 3 4 5 6 7, Redcliffe, QLD
2022 
Rythyms @ Circadian Visions, The Soylent Spot, Ngudooroo, QLD
 2020 
And the Crown Came Down @ Double Decker Ecko, The Soylent Spot, Brisbane, QLD
Small Stuff in a Big World, Brisbane, QLD, Instagram
Our Happy Place @Eviction Party, The Soylent Spot @airspace Metro Arts, Brisbane, QLD
2016 
Ephemeral Traces Exhibition, University of Qld Art Museum, Brisbane, QLD
2010  
Melbourne><Brisbane: Punk, Art & After, Super 8 in Brisbane, The Ian Potter Museum of Art, Melbourne, VICT
2005
Zootopia – Posters From The Urban Jungle, Dell Gallery, QCA, Griffith University, Brisbane, QLD
1992
Fuel, Institute of Modern Art, Brisbane, QLD
1989
Brisbane Video Art & Performance Documentation in the 1980’s, State Library of Queensland, Brisbane, QLD
1988
Work to Screen, Queensland College of Art, Brisbane, QLD
A  Caste: An Homage to Women Artists in Queensland Past and Present, The Centre Gallery, Surfers Paradise, QLD
InterFace Project, Brisbane City, QLD
AXIS File – Axis Art Projects, New York, USA
1987
Lines of Force, Institute of Modern Art, Brisbane, QLD
Local Color, That Contemporary Art Space, Brisbane, QLD
1986
Outdoor Art Drive-In, Brisbane, QLD
Know Your Product, Institute of Modern Art, Brisbane, QLD
The Demolition Show, Observatory Gallery, Brisbane, QLD
1985
Queensland Works 1950 – 1985, Queensland University Art Museum, Brisbane, QLD
Brisbane Hot, Institute of Modern Art, Brisbane, QLD
1984 
One Flat Exhibit, Institute of Modern Art, Brisbane, QLD
Dance Jerks, One Flat Exhibit George St Branch, Brisbane, QLD
1982
Produce Art, Redcomb House, Brisbane, QLD

AWARDS / FUNDING / SPONSORSHIP

2022   RADF Regional Arts Development Fund Grant, (Qld Govt & Moreton Bay Regional Council)

 

 1989   Premier’s Arts Encouragement Award, Premier’s Department, Queensland Government
Art Research & Development Grant ANAT (Australian Network for Art & Technology)
Funding – NCGA  (The National Computer Graphics Association of America ) & CADRE (Computers in Art & Design, Research and Education Institute)

 

1988   Funding – ANAT (Australian Network for Art & Technology)
Project Funding – The Australian Bicentennial Authority
Project Funding – The Arts Division of the Premier’s Department, Qld Government
Project Funding – The Brisbane City Heart Business Association
Artists and New Technology Grant Australia Council

 

1986   Group Project Grant,  Australia Council
No Frills Fund Grant,  Australian Film Commission
Sponsorship by Telecom Australia and Visionhire Pty Ltd

 

1982   Exhibition Grant, Australia Council

COLLECTIONS

 

National Gallery, Canberra
University of Qld Art Museum

CONFERENCES / FORUMS

 2019
Panellist, Radical Houses: Identity and public life in the Qld  House 1975-1989, Architecture and Art Week, Museum of Brisbane, QLD
 2016
Panellist, Ephemeral Traces Exhibition, Public Program, University of Queensland Art Museum, QLD

 

1991
Panellist, Flesh & Bones – Fringe Festival Forum, Brisbane, QLD
1990 
Panellist, Metrozone – Art in Public Places Seminar, Brisbane, QLD

 

1989 
Workshop participant, Creative Australia Conference, Adelaide, SA
Panellist, The Shaping of Teleculture – NCGA Arts 89 Conference, NCGA (National Computer Graphics Association), CADRE (Computers in Art & Design, Research & Education) Institute,  San Jose University California, USA
Panellist, Without Number Forum, Queensland Art Gallery, QLD

 

1988
Panellist, Networking in the Arts – FISEA (The First International Symposium on Electronic Art) Utrecht, Holland
Workshop participant, Information Systems of a City – Creative City Seminar, Melbourne
Guest Speaker, Forum Program, South Australian School of Art,  Adelaide, SA

 

1987 
Panellist, The Art of Untruth Simulation Artificiality, New Media Forum, IMA,  Brisbane, QLD
Panellist, The Politics of Space, Speakeasy Lunch Box Lecture, Queensland Art Workers Alliance Inc, QCA (Queensland College of Art), Brisbane, QLD
Panellist, Look Who’s Talking – Artemis Form – ARX’ 87 Australia & Regions Artist’s Exchange – Western Australia, Perth, WA
Panellist, Lost in Space, Speakeasy Lunchbox Lecture, Queensland Art Workers Alliance Inc, QCA, Brisbane, QLD
Panellist, ARX’ 87 – Lunchbox Lecture, Queensland College of Art, Brisbane, QLD

 

1986
Panellist, Art Practice, Professionalism, Art Funding & Institutions Forum, QCA, Brisbane, QLD
Panellist, Art Practices and Policy in an Era of Recession – Art(s) Now Symposium, Griffith University School of Humanities, Brisbane, QLD

 

1983 
Panellist, Alternative Art Spaces – Open Sandwich Conference, ANZART (Australian New Zealand Artist Exchange) Hobart, TAS

PUBLIC ART STRATEGIES / PROJECTS

2023
In the Real Estate of the # – underdevelopment
Beautiful Data Dangerous DNA – underdevelopment
The Wall – underdevelopment
2023-22
Boot Art – 1 2 3 4 5 6 7, Redcliffe, QLD

2021
Blackline Wallpaper, Instagram – ongoing
Inglorious Trash, Instagram – ongoing
2020 
Small Stuff in a Big World, Brisbane, QLD,  Instagram,
1988
Designer / Co-ordinator, InterFace Project, Australian Bicentennial Art Spaces Project, Brisbane, QLD
1986 
Designer / Co-ordinator, Outdoor Art Drive-In Project, Brisbane, QLD

GROUP EXHIBITIONS

 

 2023
The Trauma Project – underdevelopment
2023-22
Boot Art – 1 2 3 4 5 6 7, Redcliffe, QLD
2022 
Rythyms @ Circadian Visions, The Soylent Spot, Ngudooroo, QLD
 2020 
And the Crown Came Down @ Double Decker Ecko, The Soylent Spot, Brisbane, QLD
Small Stuff in a Big World, Brisbane, QLD, Instagram
Our Happy Place @Eviction Party, The Soylent Spot @airspace Metro Arts, Brisbane, QLD
2016 
Ephemeral Traces Exhibition, University of Qld Art Museum, Brisbane, QLD
2010  
Melbourne><Brisbane: Punk, Art & After, Super 8 in Brisbane, The Ian Potter Museum of Art, Melbourne, VICT
2005
Zootopia – Posters From The Urban Jungle, Dell Gallery, QCA, Griffith University, Brisbane, QLD
1992
Fuel, Institute of Modern Art, Brisbane, QLD
1989
Brisbane Video Art & Performance Documentation in the 1980’s, State Library of Queensland, Brisbane, QLD
1988
Work to Screen, Queensland College of Art, Brisbane, QLD
A  Caste: An Homage to Women Artists in Queensland Past and Present, The Centre Gallery, Surfers Paradise, QLD
InterFace Project, Brisbane City, QLD
AXIS File – Axis Art Projects, New York, USA
1987
Lines of Force, Institute of Modern Art, Brisbane, QLD
Local Color, That Contemporary Art Space, Brisbane, QLD
1986
Outdoor Art Drive-In, Brisbane, QLD
Know Your Product, Institute of Modern Art, Brisbane, QLD
The Demolition Show, Observatory Gallery, Brisbane, QLD
1985
Queensland Works 1950 – 1985, Queensland University Art Museum, Brisbane, QLD
Brisbane Hot, Institute of Modern Art, Brisbane, QLD
1984 
One Flat Exhibit, Institute of Modern Art, Brisbane, QLD
Dance Jerks, One Flat Exhibit George St Branch, Brisbane, QLD
1982
Produce Art, Redcomb House, Brisbane, QLD

ARTIST RUN INITIATIVES

 

1986     
O’Flate National Art Safari:
Praxis Gallery, Fremantle, WA
Experimental Art Foundation, Adelaide, SA
Australian Centre of Contemporary Art, Melbourne VICT
Chameleon Space,  Hobart TAS
Performance Space,  Sydney NSW
That Contemporary Art Space, Brisbane, QLD
1985     
O’flate Studios, Fortitude Valley, Brisbane, QLD
1984-83
One Flat Exhibit George Street Branch, Brisbane, QLD
1983     
Art Wonder Stories Magazine, Brisbane, QLD
1983-82
Art Walk Magazine, Brisbane, QLD
1983-82
One Flat Exhibit, Brisbane, QLD
1982     
Produce Art Project – Red Comb House, Brisbane, QLD

COMMUNITY DEVELOPMENT STRATEGIES

 

1999     
Workshop Co-ordinator / Artist , Double Happiness, Cross-Cultural Exchange China & Australia, The Arterial Group, Brisbane, QLD

FESTIVALS

 

1994-93
Coordinator / Entertainment Co-ordinator Inala Multicultural Festival, The Icy Tea Theatre Company, Brisbane
1992-91
Co-ordinator / Artistic Co-ordinator, Paddington Community Festival, Brisbane
1992 
Artist,  Fiesta Car Painting Project, Valley Fiesta, Fortitude Valley Business Association, Brisbane
1991  
Artist,  Polymedia Car Constructions, First Fringe Festival, Brisbane
1991 
Entertainment Co-ordinator, The Sports Health & Leisure Expo, Brisbane

EDUCATION

 

2015     
Diploma of Graphic Design, Brisbane, QLD
1997-1981
Studied Major in Sculpture + Minor in Film & Television at Queensland College of Art, Brisbane, QLD
 

BIBLIOGRAPHY

 

Hurst, J., Sometimes I wonder, Bjelke Blues – Stories of Repression and Resistance in Joh Bjelke-Petersen’s Queensland 1968-1987,  And Also Books, 2019.
Rollman, L., Curating the city: Unpacking Contemporary Art Production and Spatial Politics in Brisbane, Visual Arts, Faculty of Creative Industries Queensland University of Technology, 2018.
Nyhan, J., Flinn, A., Computation and the Humanities – Towards an Oral History of Digital Humanities, Springer International Publishing, November,2016.
Malloy, J., Social Media Archeology and Poetics – Pg 213, MIT Press, August 2016.
Anderson, P., Ephemeral Traces – Brisbane artist-run scene in the 80’s, The Catalogue Essay, UQ Art Museum, Issue.com, April 2016.
Condon, M., Jacks and Jokers, University of Queensland Press, 2014.
Perks, H., Brisbane and Artist-Run Spaces, Zootopia Posters from the Urban Jungle, (exh.cat.), Queensland College of Art Gallery, April-May, 2005.
IDEA, International Directory of Electronic Arts – Volumes 95-96 Page 29, University of Luton Press, 1995. Digitized December 2009 University of California
Stewart, R.A. Neonarratives of Visuality: Contemporary Aesthetic Constructs About Artistic Learning, The University of Queensland, 1994.
ABM – Volume 24, Issue 1 – Page 222, Santa Barbara California, 1993, Digitized in November 2010 University of California.
Nalder, G., Fuel for Thought, Eyeline, Autumn, Number18, 1992.
Knark, Mij., Bumper to Bumper Sexual Encounters, Eyeline, Spring, Number 16, 1991.
Your Word is My Command: Towards an Australian Capability in  Human-computer InterFace Design – Page 40, Australian Government Pub. Service, 1990, Digitized in August 2019.
Australian Network for Art & Technology Bulletin, Volume Two, Number One, August, 1989.
Art & Text, Issues 31 – 33 – Page 144, Art & Text, 1989, Digitized January 2008, University of Michigan.
Leonardo Volume 21, Page 212, Pergamon Press, 1988, Digitized in December 2007, The University of Michigan.
Harley, R., Where the Sidewalk Ends, Outer Site (5 Contemporary Art Space Projects), The Australian Bicentennial Authority, Sydney 1988.
Harley, R., Where the Sidewalk Ends, Outer Site (5 Contemporary Art Space Projects), The Australian Bicentennial Authority, Sydney 1988.
Wark, M., Not Just a Pretty InterFace, Outer Site (5 Contemporary Art Space Projects), The Australian Bicentennial Authority, Sydney, 1988.
Helmrich M, Interfacing the InterFace, Eyeline, Issue 6, 1988.
Helmrich, M, InterFace /Brisbane, Art & Text, Issue 29, June-August 1988.
Seear, L., InterFace, Stars Disordered, Art Monthly, Issue 11, June 1988.
Letch, K., Look Who’s Talking, Praxis M, Arx’87 Post Event Issue 19, 1988.
Harley, R., Beyond the Gallery: Art out of Bounds, Vogue Bicentennial Arts Guide, B.Leser Publications, Sydney, 1988.
Hurst, J., Plunder, Telecommunications Research & Experimentation, Artlink Art & Technology Special Issue, Volume 7 Art Link Inc., Adelaide, 1987.
Petelin, G., Coulter-Smith’s Winning Theory, The Australian, June 17, 1987.
Szulakowska, U., Brisbane Dada, Eyeline Issue 1, Art Workers Alliance, Brisbane, May 1987.
Furlong, A., Interviews with Nine Qld Artists, Institute of Modern Art, Brisbane, 1986.
Anderson, P., Presentation and Representation in Demolition Show, A Documentation (exh.cat.), Queensland College of Art, September, 1986.
Follent, S., Demolition and Carnival in Demolition Show, A Documentation (exh.cat.), Queensland College of Art, September, 1986.
Harley, R., Can You Know Your Product, Know Your Product (exh. cat.), Institute of Modern Art, Brisbane, September, 1986.
Follent, S., Brisbane Scene, Art in Australia, Volume 124, Spring, 1986.
Anderson, P., This Makes It Happen Like This, Demolition Show (exh.cat.), Observatory Gallery, Brisbane, March 1986.
Follent, S., Optimism in Front Of The Bulldozers, The Australian, March 1986.
Coulter-Smith, G., Speed Up The Cart, On The Beach, 10 Sydney, 1986.
Underhill, N., Queensland Works 1950-1985, Queensland Works 1950-1985 (exh.cat.), University Art Museum, Brisbane 1985.