March 31, 2024

nowhere fast panel discussion – greater than creativity culture and diy – fri 26 april 2024

by | chats, panels

Performance Window - One Flat George St Branch - 83

The Eyeline on Viatel emulation is now on display in the Cyber Cafe at the NCM National Communication Museum in Melbourne, Victoria, Australia.

Eyeline on Viatel was recovered from computer discs as part of Melanie Swalwell’s “Creative Micro-computing in Australia, 1976-1992” ARC Future Fellowship.

Many thanks to Melanie Swalwell, Cynde Moya and the team at the Digital Heritage Lab at Swinburne University of Technology for producing the Eyeline on Viatel emulation.

https://ncm.org.au/

https://vimeo.com/1084114790

https://www.facebook.com/breakfastnews/videos/863107992154966

Eyeline on Viatel was a key digital component of the 1988 InterFace Project.

InterFace 88 was an experimental public art strategy designed by Jeanelle Hurst  to link the physical to the digital and the local to the global – in search of an interconnected world – pre www

Eyeline on Viatel was coordinated as a collaboration between the Graphics Department at Queensland College of Art, QCA and Eyeline Art Magazine to produce a digital version of the magazine.

QCA Students Anne Pierotti and Peter Rohan transcribed highlights from Eyeline Magazine Issue 4 (1 March 1988) to Eyeline on Viatel *53003#, Telecom Australia’s National Videotex Service.

InterFace 88 was designed, developed and coordinated by Jeanelle Hurst and funded as one of 5 Bicentennial Art Space Projects across Australia by the Australian Bicentennial Arts Program.  Interface 88 was built upon the test run/prototype Outdoor Art Drive-In 86 Project.

https://vimeo.com/1118935974/

https://www.jeanellehurstprojects.com/project/interface-project-88/

https://www.jeanellehurstprojects.com/project/outdoor-art-drive-in-86/

 

Coming up…

Speakers – Jeanelle Hurst, Adam Wolter, Ian Wadley, Anne Jones

Fri 26th Apr 2024, 6:00 pm – 7:30 pm AEST – Wooloongabba Art Gallery

Event Link

To complement the launch of Nowhere Fast, Paul O’Brien’s photographs of Brisbane’s punk/post-punk scene in the late 70s, you are invited to a discussion about the role of DIY practices in the the making of this scene, and the relationship between this community of young people and their creative practices.

We will be joined by:

Jeanelle Hurst – intermedial artist, reclaimer of cities, a driven and influential member of the Brisbane independent art scene from the early 80s until the mid 90s, whose work is best represented by One Flat, Red Comb House, O’Flate and Interface 88. She returned to her working life in 2015 and is involved in a number of current projects.

Adam Wolter – a pioneering digital and computer artist. A collaborator with numerous artists across artforms through the 80s. What was the new media has now become commonplace.

Ian Wadley – one of Brisbane’s foremost experimental musicians, with an international reputation. He has performed with Holy Ghosts, Minimum Chips, Small World Experience and Tex Deadly and the Dumdums. He has lived in Brisbane, Melbourne, Berlin and currently resides in London, and has played all over the world.

Anne Jones – a writer, arts administrator and painter, Anne was in The Toesuckers; was a founding member of The Cane Toad Times and Toadshow; was station coordinator at 4ZZZ in the ealry 80s; and has had a spider species named after her.

This panel discussion will be followed by live music at 8pm at It’s Still A Secret with The Cut Snakes, The Dustbin Hoffmans and Lov’s é Blur.

jeanelle@jeanellehurstprojects.com

jeanelle@jeanellehurstprojects.com